(AUDIENCE CHEERING) (APPLAUSE AND CHEERING) (CHEERING INTENSIFIES) (ENSEMBLE PLAYING SWAN LAKE) (WISTFUL CELLO PLAYING) (MUSIC CRESCENDOS) (MUSIC SOFTENS) (PLAYING WISTFUL NOTES) (MUSIC BUILDS INTENSITY) (APPLAUSE AND CHEERING) (INAUDIBLE) (INAUDIBLE) (PLAYING THE NUTCRACKER, ACT II: PAS DE DEUX) (PLEASANT HARP PLAYING) (PLAYING EMOTIVE LINES) (ORCHESTRA SOFTENS) (ORCHESTRA RISES SOFTLY) (TEMPO INCREASES GRADUALLY) (MUSIC CRESCENDOS) (ORCHESTRA EASES) (STRINGS SWELL DRAMATICALLY) (MUSIC CRESCENDOS) (PACE INCREASES GRADUALLY) (MUSIC SUBSIDES) (PLAYING EMOTIVE NOTES) (ENSEMBLE SLOWLY INTEGRATES) (DRAMATIC MUSICAL SWELLS) (AUDIENCE CHEERING) Good evening, London!

(CHEERING AND APPLAUSE) Thank you for coming.

I hope you stay.

(AUDIENCE LAUGHING) This is a very, very special night, because I'm going to try and be serious for a night.

(AUDIENCE LAUGHING) This is a different concert for me because it's going to be only classical music.

(AUDIENCE WHOOPING) (CHEERING AND APPLAUSE) And I'm so lucky to have on stage with me the amazing Royal Philharmonic Orchestra.

(CHEERING AND APPLAUSE) Aren't they amazing, huh?

And Maestro Robert Ziegler!

(CHEERING AND APPLAUSE) HAUSER: Thank you.

In the meantime, my new classic album is out, Classic II.

(CHEERING AND APPLAUSE) And I'm going to give it to someone as a present.

Yes, please.

WOMAN: Thank you.

Thank you.

Thank you.

Oh.

WOMAN: Thank you.

I have a lot.

Between every song, I'm gonna give one away.

(AUDIENCE LAUGHING) So now we're going to play a few songs from Classic II.

The next one is my favorite.

What's the next one?

(AUDIENCE LAUGHING) Oh, you're gonna love that one.

So let's do this.

(APPLAUSE) (PLAYING RHAPSODY ON A THEME OF PAGANINI, OP.

43) (WISTFUL CELLO PLAYING) (ENSEMBLE ENTERS GENTLY) (STRINGS GRADUALLY SWELL) (ORCHESTRA SOFTENS) (MUSIC SOFTENS TO A CALM) (MUSIC EASES TO A FADE) (APPLAUSE) (PLAYING SONG TO THE MOON) (GENTLE SOLO HARP PLAYING) (ENSEMBLE GENTLY JOINS) (PLAYING SOLEMN SUSTAINED NOTES) (MELANCHOLIC STRINGS PLAYING) (PLAYING MELANCHOLIC NOTES) (STRINGS GENTLY JOIN) (ECHOING CELLO MELODY) (CONTINUES PLAYING MELANCHOLIC NOTES) (ECHOING CELLO MELODY) (CONTINUES PLAYING MELANCHOLIC NOTES) (STRINGS SWELL DRAMATICALLY) (STRINGS GENTLY PLAYING MELODY) (ENSEMBLE FADES GENTLY) (ECHOING MELODY) (ORCHESTRA ENTERS GRADUALLY) (ORCHESTRA SOFTENS) (STRINGS GENTLY ECHO CELLO MELODY) (ORCHESTRA GENTLY JOINS IN) (MUSIC GENTLY FADES) (MUSIC STOPS) WOMAN 1: Bravo!

(APPLAUSE) (MOUTHING) (APPLAUSE FADES) (SCATTERED LAUGHTER, CHEERING) (AUDIENCE EXCLAIMING) WOMAN 2: I'm right here!

WOMAN 3: Here!

(SCATTERED LAUGHTER) WOMAN 2: Up here!

WOMAN 3: Here!

(CHEERING AND APPLAUSE) Thank you.

Thank you.

WOMAN 4: One for the baby.

WOMAN 5: One for the baby.

WOMAN 6: Thank you.

Okay... (INDISTINCT) MAN: Okay.

He's... Give the kid.

One for the kid.

WOMAN 7: One for us?

(INAUDIBLE) (CHEERING AND APPLAUSE) Thank you very much.

(PLAYING KISS THE RAIN) (MELANCHOLIC CELLO AND GENTLE KEYS PLAYING) (STRING SECTION JOIN SOFTLY) (ORCHESTRA SWELLS GENTLY) (MUSIC TONES DARKEN) (PLAYING MAIN MELODY) (MUSIC GRADUALLY CRESCENDOS) (STRING SECTION SOLOING MELODY) (PITCH RISES BY A SEMITONE) (MUSIC DIMINISHES GRADUALLY) (CHEERING AND APPLAUSE) (CHEERING INTENSIFIES) Time for some presents.

(SCATTERED CHEERING AND APPLAUSE) Oh.

We need to go to this side now.

Yeah.

(WOMAN SHOUTING INDISTINCTLY) (AUDIENCE MEMBER WHISTLING) Let's see if my arm is long enough.

WOMAN 1: Thank you.

(INAUDIBLE) (WOMAN 2 SPEAKS SERBIAN) WOMAN 1: Thank you.

(WOMAN 2 SPEAKS SERBIAN) (HAUSER SPEAKS IN OTHER LANGUAGE) (IN ENGLISH) There are a few more.

So... let me introduce to you amazing violinist.

She flew in from US just to be here with us tonight.

Give a big round of applause to amazing Caroline Campbell!

(APPLAUSE) Look at this gorgeous lady.

What a dress.

(STRING SECTION GENTLY SWELLS) (PLAYING MELODY OF EMMANUEL) (STRING SECTION GENTLY INTEGRATES) (MUSIC FADES TO A STOP) (PLAYS GENTLE RHYTHMIC NOTES) (PLAYING MELODY TO EMMANUEL) (STRINGS JOIN SOFTLY) (CELLO STOPS) (PLAYING MELODY TO EMMANUEL) (APPLAUSE) (ORCHESTRA INTENSIFIES GRADUALLY) (ORCHESTRA GENTLY SUBSIDES) (PLAYS SUSTAINED, HIGH-PITCHED NOTE) (SONG ENDS) (INAUDIBLE) (INAUDIBLE) (APPLAUSE FADES) (INAUDIBLE) (AUDIENCE LAUGHING) (APPLAUSE) Wow, that was really good.

You know... most of the songs, we are actually performing tonight for the very first time in front of you.

So we should be proud of ourselves.

(APPLAUSE) Not bad for the first time, right?

Ooh.

(APPLAUSE) Actually, I was practicing for this concert.

(SCATTERED LAUGHTER) Yeah, after many, many years.

Anyway... Actually, what do you think, before they all fall asleep with these slow songs?

Should we do something more, you know, spicy?

(AUDIENCE LAUGHS) Something, you know, hot.

(AUDIENCE CHEERING) We prepare for you two tangos just to wake you up a little bit.

(AUDIENCE CHEERING) Yeah!

And she's dressed for the color of passion.

Fire.

So we're going to do two tangos for you.

And then...

It doesn't matter.

Let's go step by step.

The first one is Tango Jalousie.

And then, it's...

The next one, let it be surprise, right?

Don't worry, all good.

(AUDIENCE LAUGHING) Okay, let's do this.

(APPLAUSE) (HIGH-PITCHED, PIERCING NOTES) (SUDDEN STRING SWELLS) (PLAYING MELANCHOLIC NOTES) (DRAMATIC STRING SWELLS) (ORCHESTRA STOPS) (PLAYS INTENSE HIGH-PITCHED NOTES) (DRAMATIC STRING SWELLS) (ORCHESTRA STOPS) (PLAYS LONG MELANCHOLIC NOTES) (STRINGS ACCOMPANY GENTLY) (ALL PLAYING MAIN MELODY OF TANGO JALOUSIE) (PLAYING BRIGHT, UP-BEAT NOTES) (ORCHESTRA SOFTENS) (VIOLINIST PLAYS SOLO) (TRANSITIONS TO A DRAMATIC MOOD) (MUSIC STOPS) (PLAYS MELANCHOLIC NOTES) (ORCHESTRA ENTERS GRADUALLY) (SUDDEN STACCATO SWELLS FROM ORCHESTRA) (STACCATO SWELLS FROM ORCHESTRA) (MUSIC SETTLES INTO A PLEASANT SOUND) (MUSIC SHIFTS TO DARKER TONE) (TEMPO INCREASES) (MUSIC INTENSITY RISES) (CHEERING AND APPLAUSE) (INAUDIBLE) (APPLAUSE FADES) (DRAMATIC STRING SWELL) (PLAYS MELANCHOLIC NOTES) (DRAMATIC STRING SWELL) (ECHOES VIOLIN MELODY) (STRING SWELLS CONTINUE) (ORCHESTRA FADES GENTLY) (PLAYING THE MELODY OF POR UNA CABEZA) (ENSEMBLE ACCOMPANIES GENTLY) (BOTH HARMONIZING) (MUSIC SHIFTS TO DRAMATIC TONE) (ORCHESTRA SOFTENS) (MUSIC SHIFTS TO DRAMATIC TONE) (OVERALL INTENSITY INCREASES) (DRAMATIC SWELLS) (MUSIC STOPS) (CHEERING AND APPLAUSE) (INAUDIBLE) (AUDIENCE CHEERING) HAUSER: Wait, wait, wait, wait, wait.

Before you go, I have a present for you, too.

(APPLAUSE CONTINUES) Come on.

Wasn't she incredible tonight, huh?

(AUDIENCE CHEERING) Come on, everyone.

Oops.

(APPLAUSE CONTINUES) Ladies and gentlemen, Caroline Campbell.

(CHEERING AND APPLAUSE) (INDISTINCT) Well, after this little bit of excitement, let's go back to those slow, depressing songs.

What do you say?

(AUDIENCE LAUGHING) You know, that's my job.

My job is to make you sad and depressed.

And guests are here to cheer you up.

It's a good balance, I think.

(PLAYING CAVALLERIA RUSTICANA: INTERMEZZO) (STRING SECTION GENTLY JOINS) (MUSIC EASES TO A FADE) (STRING SECTION SOFTLY ENTERS) (CELLO GENTLY INTEGRATES) (ENTIRE ENSEMBLE VOLUME SWELLS) (MUSIC EASES TO A FADE) (ENTIRE ENSEMBLE GENTLY SWELLS) (INTENSITY OF SOUND BUILDS) (INTENSITY EASES) (INTENSITY BUILDS) (INTENSITY EASES) (MUSIC GENTLY FADES) (APPLAUSE) (APPLAUSE FADES) (OPENING MELODY OF THE LONELY SHEPHERD PLAYING) (SOLO CELLO PLAYING) (GENTLE HARP PLAYING) (PLAYING MELANCHOLIC NOTES) (KEYS GRADUALLY JOIN IN) (MUSIC SHIFTS TO DRAMATIC TONE) (ORCHESTRA EASES) (ORCHESTRA RE-ENTERS GRADUALLY) (HORN SECTION EASES IN) (MUSIC BUILDS IN INTENSITY) (ORCHESTRA FADES GENTLY) (PLAYING MAIN MELODY) (ORCHESTRA RE-ENTERS GRADUALLY) (INTENSITY OF SOUND BUILDS) (ORCHESTRA FADES GENTLY) (GENTLE PIANO PLAYING) (MUSIC SOFTENS TO A CLOSE) (CHEERING AND APPLAUSE) (PLAYING UP-BEAT GENTLE NOTES) (ENSEMBLE PLAYING INTRO TO LIBERTANGO) (MUSIC BUILDS IN INTENSITY) (PLAYS MAIN MELODY) (ORCHESTRA BACKING DRAMATICALLY) (MUSIC BUILDS IN INTENSITY) (MUSIC SHIFTS TO DRAMATIC TONE) (OVERALL ENSEMBLE SWELLS) (INTENSITY CONTINUES TO BUILD) (STRING SWELLS WITH DRAMATIC STACCATO ACCENT) (DRAMATIC POWERFUL SWELL) (CHEERING AND APPLAUSE) (SCATTERED WHOOPING AND LAUGHS) (PLAYING INTRO TO WALTZ NO.

2) (PLAYS LONG, PENSIVE NOTES) (ENSEMBLE ACCOMPANIES GENTLY) (GENTLE STACCATO LINES) (SNARE DRUM JOINS) (AUDIENCE CLAPPING RHYTHMICALLY) (MUSIC BUILDS INTENSITY) (MUSIC TRANSITIONS TO A BRIGHTER TONE) (AUDIENCE CHEERING) (AUDIENCE CHEERING) (RHYTHMIC CLAPPING CONTINUES) (MUSIC SWELLS DRAMATICALLY AND DROPS) (STRING SECTION CONTINUES GENTLY) (PLAYING LOW-PITCHED WALTZ NO.

2 MELODY) (STRING SECTION ACCOMPANIES GENTLY) (INTENSITY GRADUALLY BUILDS) (ENSEMBLE PLAYING GENTLE STACCATO LINES) (ORCHESTRAL SNARE DRUM ROLL) (MUSIC SWELLS) (ENSEMBLE PLAYING WALTZ NO.

2 MELODY) (AUDIENCE CLAPPING RHYTHMICALLY) (INTENSITY BUILDS) (DRAMATIC MUSICAL STING) (CHEERING AND APPLAUSE) (INAUDIBLE) (CHEERING INTENSIFIES) (SOFT STRINGS PLAYING) (FLUTES PLAYING INTRO TO BARCAROLLE FROM LES CONTES D'HOFFMAN) (STRING SECTION PLAYING GENTLE LINES) (MELODY CONTINUES) (STRING SECTION PLAYING GENTLE LINES) (PLAYING MELODY) (CHEERING AND APPLAUSE) (ENSEMBLE GENTLY FADES) (GENTLE HARP PLAYING) (PLAYING MAIN MELODY) (OPERATIC SINGING IN FRENCH) (SUSTAINS HIGH TONE) (SINGING AND MUSIC GENTLY FADE) (CHEERING AND APPLAUSE) (PLAYING SOLO INTRO OF FLOWER DUET FROM LAKME) (OPERATIC SINGING IN FRENCH) (ORCHESTRA SLOWLY JOINS IN) (STRING SECTION SWELLS SOFTLY) (HORN SECTION PLAYS SOFTLY) (OPERATIC SINGING IN FRENCH) (ENSEMBLE FOLLOWS MELODY) (HOLDS LONG, SHARP NOTE) (EASES INTO A SOFTER TONE) (ENSEMBLE FOLLOWS MELODY) (SUSTAINS HIGH-PITCHED NOTE) (MUSIC STOPS) (APPLAUSE) (CONTINUES SINGING) (ENSEMBLE EASES BACK IN) (PLAYING MELANCHOLIC TONES) (OPERATIC SINGING CONTINUES) (ENSEMBLE FOLLOWS MELODY) (HOLDS LONG, SHARP NOTE) (ENSEMBLE BACKING GENTLY) (MUSIC MOMENTARILY MELLOWS) (OPERATIC SINGING CONTINUES) (ENSEMBLE FOLLOWS MELODY) (SUSTAINS HIGH-PITCHED NOTE) (HORN SECTION GENTLY SWELLS) (STRING SECTION GENTLY JOINS) (MUSIC TEMPORARILY SOFTENS) (GENTLY BUILDS) (ENSEMBLE FADES TO NEAR SILENCE) (CONTINUES SINGING) (GENTLE BACKING ON STRINGS) (HOLDS LONG HIGH-PITCHED NOTE) (SONG ENDS) (AUDIENCE CHEERING) (INAUDIBLE) (AUDIENCE WHISTLING, WHOOPING) How are you enjoying this concert so far?

(CHEERING AND APPLAUSE) Why you didn't tell me that my button is not closed?

(AUDIENCE LAUGHING) Anyway, what do you think about this incredible voice, huh?

Soprano.

(CHEERING AND APPLAUSE) Aida Garifullina, ladies and gentlemen.

Actually, this is where we met first time, in Royal Albert Hall.

It was the love at the first sight.

(SCATTERED APPLAUSE, LAUGHTER) And when I saw her, I told her, "You know, one day, we're going to perform here together."

And this day has finally arrived.

Here we are.

(CHEERING AND APPLAUSE) Our dream came true.

And this is why we're going to sing, and play, one more song for you.

And this one, you know for sure, and you're going to love it, okay?

I hope we know it.

(SCATTERED LAUGHTER) Let's see what happens.

(PLAYING INTRO MELODY OF HABANERA FROM CARMEN) (OPERATIC SINGING IN FRENCH) (REPLICATES AIDA'S MELODY) ♪ L'amour!

You sing.

♪ L'amour!

L'amour?

♪ L'amour!

L'amour.

♪ L'amour!

♪ (CONTINUES SINGING IN FRENCH) (DRAMATIC STRING SWELLS) (DRAMATIC STRING SWELLS) (DRAMATIC STRING SWELLS) (CONTINUES SINGING IN FRENCH) (DRAMATIC STRING SWELLS) (CONTINUES SINGING) (ENSEMBLE STOPS) (SUSTAINS HIGH-PITCHED NOTE) (ENSEMBLE JOINS BACK IN) (ENSEMBLE FADES TO NEAR SILENCE) (LIVELY CELLO PLAYING) (ENSEMBLE ACCOMPANIES GENTLY) (CONTINUES SINGING) (HORNS BACK GENTLY) (HAUSER PLAYS MELODY) AIDA: ♪ L'amour ♪ L'amour ♪ L'amour!

♪ L'amour♪ (CONTINUES SINGING IN FRENCH) (DRAMATIC STRING SWELLS) (DRAMATIC STRING SWELLS) (ENSEMBLE STOPS) (ENSEMBLE EASES BACK IN) (DRAMATIC STRING SWELLS) (DRAMATIC STRING SWELLS) (SUSTAINS HIGH-PITCHED NOTE) (DRAMATIC STRING SWELL) (SONG ENDS) (CHEERING AND APPLAUSE) (INAUDIBLE) (AUDIENCE MEMBER WHISTLES) (AUDIENCE WHOOPING, CHEERING) (SCATTERED WHISTLING) And of course, we need a present for Aida, don't we?

(SNIFFS) I was collecting them the whole morning.

(AIDA CHUCKLES) (SCATTERED LAUGHTER) HAUSER: Picked the right ones.

(AIDA CHUCKLES) AIDA: Sure?

And thank you so much for making this night...

Almost matching my dress.

...so magical.

Okay?

And look, it's matching her dress, actually.

Wow.

(CHEERING AND APPLAUSE) Thank you very much.

Everyone, big round of applause for Aida Garifullina!

(AUDIENCE CHEERING) AIDA: Will you take me back?

HAUSER: Okay.

I need to take her back.

It takes time.

See you in two hours, okay?

(CHUCKLES) Don't worry.

I'm gonna be back and play those slow, depressing songs in a minute.

(AUDIENCE LAUGHING) (HAUSER AND AIDA VOCALIZING TO THE TUNE OF HABANERA) (HAUSER VOCALIZES DRAMATICALLY) (AIDA CONTINUES VOCALIZING) (APPLAUSE) (HAUSER VOCALIZES DRAMATICALLY) (HAUSER MEOWS) See you later.

(ENSEMBLE GENTLY PLAYING INTRO TO SERENADE) (PLAYS MELODY OF SERENADE) (STRINGS ACCOMPANY GENTLY) (CONTINUES PLAYING MELODY) (ENSEMBLE ACCOMPANIES SOFTLY) (ENSEMBLE SWELLS STEADILY) (MUSIC BRIEFLY DARKENS) (INAUDIBLE) (ENSEMBLE FADES TO NEAR SILENCE) (PLAYS EXTENDED MELANCHOLIC LINES) (ENSEMBLE EASES BACK IN) (STRINGS ACCOMPANY GENTLY) (GRADUALLY BUILDS INTENSITY) (SUSTAINS LONG, SOMBER LINES) (ENSEMBLE MOMENTARILY RECEDES) (MUSIC EASES TO A FADE) (CHEERING AND APPLAUSE) (INAUDIBLE) (APPLAUSE FADES) (PLAYING SLAVONIC DANCES, OP.

72, NO.

2) (ENSEMBLE ACCOMPANIES GENTLY) (MUSIC EASES INTO A MELLOW TONE) (STRINGS ACCOMPANYING GENTLY) (ENSEMBLE SOFTENS TO A NEAR STOP) (MUSIC BUILDS INTENSITY) (SOFTENS BACK TO A MELLOW TONE) (ENSEMBLE SOFTENS TO A NEAR STOP) (MUSIC SHIFTS TO A LIVELY TONE) (ENSEMBLE SOFTENS TO A NEAR STOP) (ENSEMBLE PLAYS MELLOW MELODY) (MUSIC RISES GENTLY IN INTENSITY) (PLAYING MELANCHOLIC NOTES) (MUSIC RISES GENTLY IN INTENSITY) (ENSEMBLE SOFTENS TO A NEAR STOP) (MUSIC SHIFTS TO A LIVELY TONE) (MUSIC EASES TO A FADE) (CHEERING) (ENSEMBLE PLAYS SOFT, UNEASY TUNE) (ENSEMBLE FADES TO A STOP) (PLAYING MELODY OF LARA'S THEME FROM DOCTOR ZHIVAGO) (ENSEMBLE GRADUALLY INTEGRATES) (STRING SECTION PLAYS SUBTLE, DRAMATIC UNDERTONES) (WHOLE ENSEMBLE HARMONIZING MELODY) (INTENSITY GRADUALLY INCREASES) (WHOLE ENSEMBLE HARMONIZING MELODY) (APPLAUSE) (APPLAUSE FADES) (ENSEMBLE SOFTENS) (INTENSITY INCREASES) (WHOLE ENSEMBLE HARMONIZING MELODY) (ENSEMBLE CALMS) (MUSIC FADES TO A STOP) (CHEERING AND APPLAUSE) WOMAN 1: Bravo!

(APPLAUSE FADES) So, ladies and gentlemen, do you know the name of that song that we just played?

WOMAN 2: Yes.

It's called Lara's Theme.

And the reason I chose this song, it's to introduce the next guest.

(AUDIENCE CHEERING) Because she is one of my favorite singers of all time.

MAN: Me, too!

Her voice deeply touched my soul when I heard her as a little boy.

And I'm so proud to announce the incredible Lara Fabian!

(CHEERING AND APPLAUSE) LARA: Good evening.

HAUSER: Hello!

(INAUDIBLE) (AUDIENCE CHEERING) And actually... Lucky me.

...we are both famous for the same songs.

Adagio and Caruso, right?

(SCATTERED CHEERING) So we gotta do those two songs, right?

(CHEERING AND APPLAUSE) You'll help me through, right?

Let's do that.

(ENSEMBLE PLAYING INTRO TO ADAGIO) ♪ I don't know where to find you ♪ I don't know how to reach you ♪ I hear your voice in the wind ♪ I feel you under my skin ♪ Within my heart and my soul ♪ I wait for you ♪ Adagio ♪ (PLAYING MELODY TO ADAGIO) (MOUTHING) (ENSEMBLE ACCOMPANIES SOFTLY) (MOUTHING) (CONTINUES MOUTHING) ♪ I close my eyes and I find a way ♪ No need for me to pray ♪ I've walked so far ♪ I've fought so hard ♪ Nothing more to explain ♪ I know all that remains ♪ Is a piano that plays ♪ If you know ♪ Where to find me ♪ If you know how to reach me ♪ Before this light fades away ♪ Before I run out of faith ♪ Be the only man to say ♪ That you'll hear my heart ♪ That you'll give your life ♪ Forever you'll stay (MUSIC INTENSIFIES) (SUSTAINS EXTENDED NOTE) (APPLAUSE) (VOCALIZING) ♪ Don't let this light fade away (VOCALIZING) ♪ Don't let me run out of faith ♪ Be the only man to say ♪ That you believe (MUSIC INTENSIFIES) ♪ Make me believe ♪ You won't let go ♪ Adagio!

♪ (CHEERING AND APPLAUSE) Thank you.

Grazie.

Merci.

(APPLAUSE FADES) (PLAYING INTRO TO CARUSO) (HARP GENTLY ACCOMPANIES) (STRING SECTION GENTLY INTEGRATES) (STRINGS FADE) (SINGING IN ITALIAN) (SOFT KEYS PLAYING) (CONTINUES SINGING IN ITALIAN) (PLAYS MELANCHOLIC MELODY) (HUMMING) (HUMMING) (MOUTHING) (SINGING IN ITALIAN) (PLAYING MELODY) (MOUTHING) (MOUTHING) (SOULFUL SINGING IN ITALIAN) (ENSEMBLE PLAYS MELODY) (PLAYS MELODY) (SINGING IN ITALIAN) (SINGS GENTLY) (ENSEMBLE SLOWLY SOFTENS) (MUSIC GRADUALLY BUILDS) (BOTH HARMONIZING MELODY) (DRAMATIC INTENSE SINGING) (MUSIC INTENSIFIES) (APPLAUSE) (INTENSE SINGING CONTINUES) (MUSIC SWELLS MOMENTARILY) (ENSEMBLE FADES GENTLY) (INAUDIBLE) (CHEERING AND APPLAUSE) (CHEERING CONTINUES) I love you.

Thank you very much.

Thank you.

(AUDIENCE MEMBER WHISTLING) (INAUDIBLE) Thank you.

Thank you, London.

Thank you very much.

(CHEERING CONTINUES) HAUSER: Ladies and gentlemen, Lara Fabian!

(CHEERING AND APPLAUSE) (APPLAUSE FADES) (HAUSER WHISTLES) (VOCALIZING PHANTOM OF THE OPERA INTRO) (ENSEMBLE PLAYING INTRO OF THE PHANTOM OF THE OPERA) (PLAYING MELODY) (ENSEMBLE ACCOMPANYING) (MUSIC BUILDS GRADUALLY) (MUSIC SHIFTS TO DRAMATIC TONE) (PLAYING MELODY) (ENSEMBLE ACCOMPANYING) (MUSIC SHIFTS TO DRAMATIC TONE) (SHIFTS TO A LIGHTER, UPLIFTING TONE) (PLAYING MELODY) (ENSEMBLE DRAWS SILENT) (PLAYS DRAMATIC STACCATO NOTES) (ENSEMBLE RESUMES) (ENSEMBLE ACCOMPANIES GENTLY) (STRING SECTION PLAYS MELODY) (ENSEMBLE SWELLS DRAMATICALLY) (PLAYS MELODY) (STACCATO ENSEMBLE ACCOMPANIMENT) (ENSEMBLE SWELLS, STOPS) (PLAYS SHORT, CHOPPED NOTES) (ENSEMBLE GRADUALLY BUILDS) (MUSIC MODULATES UP TWO SEMITONES) (MUSIC MODULATES UP ANOTHER TWO SEMITONES) (MUSIC INTENSIFIES) (DRAMATIC MUSICAL SWELLS) (SONG ENDS) (CHEERING AND APPLAUSE) (INAUDIBLE) (PLAYING GAME OF THRONES MAIN TITLE THEME) (CHEERING AND APPLAUSE) (PLAYING MAIN MELODY) (ENSEMBLE ACCOMPANIES WITH DELICATE DRAMATIC TONES) (CONTINUES PLAYING MELODY) (ENSEMBLE PLAYS MELODY) (STRINGS ACCOMPANY WITH DELICATE DRAMATIC TONES) (MUSIC GRADUALLY BUILDS) (PLAYS MELODY) (ENSEMBLE CALMS) (MUSIC GRADUALLY BUILDS INTENSITY) (PITCH RISES BY A SEMITONE) (CHEERING AND APPLAUSE) (WHOLE ENSEMBLE PLAYING THE MELODY) (PLAYING MELODY) (ENSEMBLE SWELLS) (PLAYS MUTED, STACCATO NOTES) (DRAMATIC SWELL) (CHEERING AND APPLAUSE) (ENSEMBLE PLAYING PIRATES OF THE CARIBBEAN MAIN THEME) (PLAYING MAIN MELODY) (CHEERING AND APPLAUSE) (MUSIC INCREASES IN ENERGY) (DRAMATIC SWELLS) (TRANSITIONS TO A MELLOW TONE) (DRAMATIC SWELLS) (MELLOWS, THEN GRADUALLY SWELLS) (INTENSITY GRADUALLY INCREASES) (ENSEMBLE PLAYS MELODY WITH ENERGY) (ENSEMBLE TRANSITIONS TO A MELLOW TONE) (MUSIC INTENSIFIES GRADUALLY) (ENSEMBLE PLAYS STACCATO NOTES GRADUALLY RISING IN PITCH) (ENSEMBLE PLAYS MELODY WITH ENERGY) (MUSIC INTENSIFIES GRADUALLY) (MUSIC STOPS) (CHEERING AND APPLAUSE) (WHISTLING) (INAUDIBLE) (INAUDIBLE) (AUDIENCE MEMBER WHISTLING) (CHEERING CONTINUES) (CHEERING INTENSIFIES) WOMAN: Encore!

Encore!

Encore!

Encore!

Encore!

(AUDIENCE CHEERING) (CHEERING INTENSIFIES) Thank you, London.

You were incredible audience tonight.

Thank you so much.

(APPLAUSE FADES) And, uh, what better way than finish with some Chopin, huh?

(AUDIENCE CHEERING) Some beautiful, romantic... magical Chopin.

By the way, you know that this concert was filmed?

It was filming, so it's going to remain forever in memories.

(CHEERING AND APPLAUSE) And because we are filming this show... you know what was always my dream?

To make completely dark everything.

And everyone take out your phones, lighters, cigarettes.

(AUDIENCE LAUGHING) And let's make a magical atmosphere for this beautiful final song.

Let's make it look magical.

More.

We need sky full of stars.

We need sky full of stars.

Look at this magic.

Wow!

Fantastic, right?

Where is your candle?

(AUDIENCE LAUGHING) (PLAYING TRISTESSE) (KEYS ACCOMPANY GENTLY) (ENSEMBLE SLOWLY JOINS IN) (STRINGS JOIN SOFTLY) (ENSEMBLE PLAYS MELODY) (PLAYS MELODY) (MUSIC GRADUALLY BUILDS IN INTENSITY) (MUSIC GRADUALLY SOFTENS) (ENSEMBLE GENTLY FADES) (PIANO ADDS SUBTLE FINAL NOTES) (CHEERING AND APPLAUSE) (CHEERING INTENSIFIES) (CHEERING CONTINUES)